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Requiem for Dead Dogs

by The Unattached

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  • Record/Vinyl + Digital Album

    Limited edition, 100 copies pressed on 140g translucent green vinyl, hand printed linocut sleeve, booklet, numbered 1–100

    Includes unlimited streaming of Requiem for Dead Dogs via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

      £20 GBP or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £7 GBP  or more

     

1.
2.
3.
Gelert 05:48
4.
Laika 04:07
Hey Mr Khrushchev, I liked your speech on Stalin the way you handled the questions but one thing I must ask you what did we learn what did we learn we die alone what did we learn? Sputnik 1 was cool it burned up fast and bright my ending was occluded not looking back is my talent what did we learn what did we learn we die alone what did we learn? You think it took you to make me famous I would have made it good whatever sometimes the depths of space is the only place where we can feel together Did I ask you to take me from the streets and save me so you could lie to yourself and to posterity did I ask to be your experiment to find out what we could live through? what did we learn, what did we learn we die alone what did we learn? You think it was you who made me famous I would have made it good whatever sometimes the loneliest place is the only space where you can feel together Hold your breath ask your body in total darkness, in a small room, quietly, to take courage embrace your failing days and carry on never coming back to you never coming back to you never coming back to you never coming back to you
5.
6.
7.
8.
Argos 07:10
9.
Stop polishing your heart while reprisals are on the loose this plague won’t just depart surprise them from behind with a noose dig the pit deep; pile the cart high your chafed hands are now buzzing with flies The urges of the entitled, so lacklustre tarnish your shining, polished heart you pile your regrets as high as the cart because you know a dog won’t forget you, or the slander that robs you of your days by prophylactic measure it robs you of your days, this frightened massacre Greyhounds and mastiffs, bloodhounds and spaniels turnspit dogs and kitchen dogs, beagles and pointers because the dogs are everywhere, so the dogs must be to blame and there’s no other way to explain they also shoot dogs A hot wind is blowing in The figure-flingers prognosticate everyone is explaining and I am disconsolate a poodle, Talbot hound, a welsh wolfhound a blue paul terrier was self-preservation ever deadlier? The sixty-five massacre it’s us versus them and it must make you wonder if it’s simply this year or something more sinister and when the flames rush in will you be any wiser or any more alive Greyhounds and mastiffs, bloodhounds and spaniels turnspit dogs and kitchen dogs, beagles and pointers because the dogs are everywhere, and so the dogs must be to blame and there’s no other way to explain they also shoot dogs Stop polishing your heart while reprisals are unleashed you’re still breathing, at least a braque du puy lies there, a chien gris dies there, the cart tips a north country beagle into the pit take heart, take heart, it’s too late now to come apart
10.

about

A cycle of songs about dead dogs. Dealing with loss, grief and loneliness, they recount the tales of lost dogs both real, metaphoric and mythic, and use our relationship with and treatment of dogs as a measure of our humanity.

Collaborating as The Unattached on this record are Joad R Wren, sister Gwenifer Raymond, uncle Neil White, and daughter Celia, along with friends Darren Hayman, Ian Button, John McGrath and Holly Rogers.

Joad notes: "The album was written and recorded during the height of the pandemic. I've no idea why it's taken so long to release it. I do know that it's a great pleasure to work – even at a distance – with such talented musicians, with many amazing albums in their back catalogues."

The final song was a surprise – especially to Joad – as Neil wrote it years ago about a forgotten dog, and it fitted beautifully as a coda here.

The songs are at once lush, sensitive, bleak and unflinching - there's a similar feeling to something like Lou Reed's 'Berlin', or the darker moments of Roy Harper. The LP comes in a numbered, hand-printed linocut sleeve with a 20 page booklet of lyrics and art.

The sleeve is a bit special. The oil-based ink used on this hand-printed sleeve may feel sticky to touch, and can potentially transfer to other surfaces. Please handle and store this record carefully.

It's an edition of 100, and because of the hand-printing process each cover is imperfectly unique and uniquely imperfect (and hand numbered).


Pre-order now and you'll get two tracks now, and you can download the rest on the release date. Pre-ordered vinyl will be shipped in late January – before the release date of 1/2/24.

Released on Gare du Nord, GDNLP073

credits

released February 16, 2024

The Unattached are, variously:

Joad R Wren
Ian Button
Darren Hayman
Gwenifer Raymond
John McGrath
Holly Rogers
Celia
Neil White

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about

The Unattached Folkestone, UK

The Unattached is a collaborative musical endeavour which pursues experimental avant-folk projects often rooted in history and the landscape. Joad R Wren organises things, though he invariably works with more talented musicians.

see also: wiaiwya.bandcamp.com/album/songs-for-the-prophets

vimeo.com/327311813

vimeo.com/438603058

vimeo.com/340757182
... more

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